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The original theatrical aspect ratio is noted at 1.85:1 whereas this is presented at 1.78:1 and is 16x9 enhanced. This is a 5 star transfer through and through. This was an absolute delight to review simply because the number of problems could be counted on the fingers of one hand and for the most part they are nitpicking at best. It's one of the great mysteries of life why such movies receive such fabulous treatment in all respects. This is definitely lightweight entertainment at its best with the better acting coming from the dogs.ĭon't wish to see plot synopses in the future? Change your configuration. Offering to assist, Gordon agrees to look after James until the baby-sitter arrives (she suffers food-poisoning just after Stephanie leaves, leaving Gordon 'holding the baby' so to speak) so Stephanie heads off to the airport.įrom here on in, suspend your disbelief and just enjoy because it does get a little better after the first thirty or so minutes (at least I found it more amusing). While all this is going on, Stephanie has to fly interstate and the baby-sitter is late to take care of her son James ( Angus T. When this becomes known to the FBI, they decide to put Agent 11 into a witness protection program much to the chagrin of his handler and partner Murdock ( Michael Clarke Duncan). Schirripa) to put the mutt out of his misery. After treatment, and the loss of a testicle, Sonny decides to get even with the dog and puts out a hit on him, calling in his two best hitmen, Gino ( Joe Vitarelli) and Arliss ( Steven R.
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During the arrest he manages to wiggle free but Agent 11, the FBI's best trained pooch puts the bite on him, causing him considerable inconvenience. In another part of town, a drug bust is taking place and mob boss Sonny Talia ( Paul Sorvino) is being busted. This is compounded by Benny Benny ( Anthony Anderson), his only friend and a fellow mailman who delights in taking him down a peg or two and playing on his dog phobia. He's got the hots for his next door neighbour Stephanie ( Leslie Bibb) who sees him as a no-hoper and doesn't want a bar of him. Every day he employs guerrilla tactics to deliver the mail, outsmarting and outthinking the four-legged mutts in the pursuit of his job, but Gordon has a problem. Gordon ( David Arquette) is a mailman with a phobia about dogs. One thing I most certainly can't complain about is the quality of the DVD.
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For kids, maybe this will sit a lot better - there are some definately amusing moments, but I think this type of movie has been done to death. This is supposed to be a film for the whole family, and there are some decent moments in the movie if you like comedy about dog poo or farting, or the biting off of a testicle tickles your fancy but I must admit that over the whole 90-odd minutes this did get a little worn. See Spot Run is possibly one of the silliest movies I've seen this year, but also one of the most sumptuous, both aurally and visually (isn't it always the way). Music Video- As Long As You're Loving Me-Vitamin Cįeaturette- Spot's Silly Dog Tricks Contest WinnersĮnglish Audio Commentary Dolby Digital 2.0 (192Kb/s) Going from 25p to 50p and keeping the filmic look is no problems, using the same software.ġ (one) fps/second is doable with Interpret Footage but the larger the difference, the larger the problems become, fast.If you create a user account, you can add your own review of this DVDĪudio Commentary- John Whitesell (Director) For example, going from 50p to 25p and keeping the fluid motion of the original 50p footage is near to impossible with software. It does also depends on from what you go to and to what.
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Leave the audio to a professional to avoid pitch issues.
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For example, shoot 24p, edit 24p, export 24p import the master into Premiere Pro or After Effects and use the Interpret Footage command to set the frame rate from 24 to 25 and render out a new master.
To do a good job with software-only is to slow down the footage by using Interpret Footage in Premiere Pro and let someone with audio knowledge handle the audio to handle the pitch changes. Export format does not matter since it gives the same reults, but i have tried ProRes/CineForm/Lagarith/MPEG2/H.264/etc, etc. All tests fails and the motion looks stuttery and one can clearly see that it either misses frames, odd frame blends depending on what frame rates you work with.
Yes, i have indeed did all possible nerd-tests in Premiere Pro, iow recording slow pans, footage with motion such as static camera and passing cars, leafs that blow in the wind, etc and exported to a different frame rate. It is not permitted to use simple “timeline” conversion.". Have you tried to do it in Premiere with your footages?
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